vinyl only release, limited to 300 numbered copies.
alex & digby return for faarat003! two killer tracks of subtle minimal synthesis. *nothing with you* is a slice of micro gold - considered sound design and woozing synths are backed by a scattered broken beat. the b side *tokyo* takes us into noir-ish house territory, speckled with acidic warbles and tight rhythmic technique.

paranoid dancer remixed is the next exploratory techno sound trip from the young berlin label. the special remix edition vinyl release navigates through a range of minimalist ideas, analog grit and tight dynamics with dark, raw and imposing remixes from alexander kowalski, petter b, ray kajioka, mario berger and patrik carrera.

the 4th 12inch from the playground is a 4 track ep featuring 3 original and precise cuts from the uk don along with a remix from roger that on the b side. on the a-side ellis mixes minimal house and techno with driving bass lines, comforting key stabs and tight snares. the b-side offers a slower vibe with a funky feel, including a remix from roger that. vinyl only and limited release.

short time deal! alex jansen delivers his debuting ep on ugold series with four reduced, tres tight lockgrooves on the a side... and a spheric dubtale on the flipside. welcome, alex!

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure

limited 2014 repress !!
new member to the eklo family, vadim svoboda is a new talented artist from paris. he delivers 3 tracks full analog, no computer in the game. three cuts which show his modern micro house/techno vibe, full of deep subs, tight beats and futuristic glitches, every tracks were recorded live, a raw feeling all over.
no mp3s, vinyl only!

sounds like the gee! 8bit is happy to welcome back junior gee for another bangin 4 tracker. brothers ep is loaded with quality tunes you can drop at any time. ongoing grooves that play with the crowd through suddle changes and tight arrangements. hands up in the club!

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

colman buckley & ray taff, known collectively as dog days make a long awaited return to assembly records, following up woofer (their much lauded 2012 outing) with a new 3 tracker, stand down. a rich tapestry that wears its 4/4 rhythms and its detroit influences with immense pride, this ep features 3 tracks that combine sensuous vocals, tight percussion and melodic hooks that will be lodged in your brain for days to come.

hold on tight for one of the biggest nocid business recordings release to date featuring two tracks of immense weight that appropriately mark the first vinyl release from the belgian label.

ltd repress
new dutch signing ivano tetelepta touches down on fear of flyings first release on their main label in 2011 with > smokin g<, a 10 minute excursion into the trippier side of house music backed with a remix of pure raw analogue power from those berlin based italians, the analogue cops. ivanos second original production > flowers< rounds thing off, gentle shards of melody underpinning a deliciously tight deep house groove

new edits label bringing you 2 cracking disco edits, first up we have a funky cosmic groover with some wicked wah wah guitar, strings, effects, cool synths and tight drums, all bound to get them moving on the dance floor. the b side groove is so infectious with some sweet harmonica solos, tight bass and soaring strings that lifts this track and the crowd to cloud 9

no stranger to the connaisseurs, binh delivers his tight debut on time passages. from peaktime to the later moments, you will find just the right berlin way of setting a great evening.

for the 13th release, icarus audio proudly showcases the debut release of a brand new drum and bass collaborative project from basis. coming out swinging, icarus brings them into the fold with their multi-flavored, graveyard ep. from the album artwork to the grooves of the plates, this one is sure to fire heavy on all cylinders!

sterling sound return to asbo records with this great 3 track solo ep on 12inch which kicks off with without you, bringing some big 808 action alongside the sweetest of r&b/raregroove samples, keeping it all going are some really tight breaks and well thought out percussion. while on the reverse we got more of that heavy ragga infused jungle in the form of hold up & roughneck. both big crowd pleasing tunes & full of the stuff we have come to expect from asbo & sterling sound. supported by kenny ken / nicky blackmarket / pressure x

sookie featuring jeanine otis. heavyweight afro funk/disco from 1976. jo bisso production, at least 4 killer play out tracks (rhythm on rhythm, it s you, choco date and midnight). excellent production, funky funky drums and tight horns. limited to 500 numbered copies.

javier & luis garayalde aka kyodai are back on local talk with their third release since the debut *breaking* back in 2012. as always we are thrilled to present new tracks from the duo whose been integral in establishing local talk. the pace is set with the first track *konbanwa*, showcasing the duos phenomenal skills in creating something both classic and modern by fusing a tight and driving groove, tension building chords and a bumpy bass hook to great effect. believe us when we say it has been an absolute highlight in our dj-sets thru out the summer. on *so special* the brothers go back to their roots and create a track that has got both the sound and feel of their previous tracks *breaking* and *the scene* - in other words, another big track from kyodai!

one per customer! edwards 2nd album -into a better future- accompanies you for hours, makes you forget that daily grind. it is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. you will pass machines along the side of the road, engaged in a process of construction while your hands feel clean. and once in a while you ll hear the sound of sunrise and sunset racing each other in a tight rhythm.

we are proud to unveil the seventh release on telefonplan, osirus ep from anders hellberg, a berlin based producer and dj from south sweden. with osirus ep, it is immediately clear that anders is a fan and follower of the old school techno with elements of detroit techno and acid. four righteous slabs of hardware goodness is on the menu this time, all served tight and driving. from the opening track *beyond the stratosphere* with its pulsating rhythm and hypnotizing chords to *gondor*, a heavier, darker and dubbier acid anders showcases his uniquely modern flavour of techno. on the flip, *osirus* is a floor burning chord jam and *respond* finishes things perfect with hypnotic melody.

following a double headed debut on our recent nasty rips comp. – a crisp remix of hackmans ‘ always’ and a fizzing solo outing -‘not afraid’, montreal producer reagan grey makes her full shifting peaks debut with a high grade 3 track ep, alongside 3 useful remixes. opener ‘owl’ featuring sandy duperval on vocals, takes a neat song of love and life and rolls it over a punchy ukg/house groove, adding classic sounding organ stabs and swingy rhythms, with a tight arrangement keeping things moving along. ‘feel the pressure’ features christie nelson on vocals, with an equally strong , r n’ b inflected song woven in and out of a looser, spacier arrangement, rgs snappy drums again underpin proceedings. not afraid reappears, having made friends along the way via it s nasty rips inclusion thanks to driving detroit-influenced synths, a pulsing bassline and sweet builds and drops. on the remix front, lukas ( future boogie ) keeps things simple on owl, with a fat, kick-lead groove and sparing use of the vox before drifting into a crowd-pleasing breakdown halfway through. benway (aka fast rising muscovite nphonix) takes swathes of the feel the pressure vocal for a ride over broken beats and a bass heavy backing, with hints of techno torque setting his pressurize mix apart from the similar de pressurize version.

raw instinct volume 4. a series of raw house tracks engineered for heavy dj use. three tight tracks inspired by 90s ny house music. underground!

limited reissue of two big cosmic/baia cuts from the supremely talented ghanaian musician sidiku buari, reissued here in their ultra-rare original makossa international records vinyl format. both sides of the 12 inch are equally in-demand with side a featuring super-sexy disco killer *koko si*, a tight bouncing percussive groove laced with lush strings and red-hot female vocals. turn over for the equally wonderful *i m ready*, an afro disco monster powered by heavy driving bass, intricate drums and layers of insistent strings, punchy horns and heady synths that keep the tension building throughout. totally essential afro disco classics - dont miss!

to get things started we have a gorgeous soulful disco number, heavenly vocals, classic disco strings, brass stabs, tight baseline and the drums are pure class, tastefully extended in all the right places so as to stay as true to the original as possible, guaranteed to get your crowd dancing and singing along. on the b side we have one hell of a disco boogie funk bomb, plenty of breaks included in this stomper of a track, sharp drums, powerful vocals, funky baseline, guitar, piano, synths and some brass to boot, mix it all together and you get one hell of a party record.

grab the new s&c 005 record, a split 12inch by ender & stiletti-ana, put it on and lay down on your sofa. hear the opening groove from enders track p.l.i.h. and find your self getting up immediately to turn the stereo a little louder. adapt your self to the super tight, locked & futuristic and very original techno groove. watch especially out for the killer stab line in it as it is just something you will most likely find your self humming while shopping or taking your dog out. after the original mix of p.l.i.h. you will hear the stiletti-ana s stripped down version. he must have cut everything else out in his mix with his switch blade besides the ruthless stab line. dig the endless and ever growing stab jacking and remember that p.l.i.h side of the record is very serious and addictive for both club & home users. turn the record around and go back to your sofa. hear the twisted detroitian afro acid disco of stiletti-ana s track i got the master unit. filled with merciless synths and forcing rhythms i got the master unit leaves no questions of the keeper of that unit. the user of the unit seems to turn all things to the max and play midi tracks with tesla coil a like instruments. after the original it is ender s time to use the master unit and turn down the lights and ask the question: do you think that there will be something nice happening soon?

take me away exemplifies the boys cinema-scope, widescreen sound and ambition. a tight, in the pocket bass line takes root over skittering, celestial synths and only girls sublime vocal line. this could be a phuture-phunky quincy jones track, utterly infectious. in perfect tonal-tandem with this is the uplifting, techy-pop of u know.

mauser hails from chicago, illinois, but his production covers far more ground than chicagos no.1 import, house music. the block sees mauser diving into his many influences, including house, techno, hip hop, drum & bass, soul, and funk. combining tight, funky drum programming with a diggers ear for samples, this diverse ep has a little something for everyone!

nathan fake and wesley matsell are both producers best known for their releases on border community - nathan fake has been putting out psychedelic permutations on dance music since 2003 for the label, while matsell recently released the blissful total order of being ep for them earlier in 2014. cambria instruments is a new label venture from the pair, and for the first release they have teamed up for a split 12- of kaleidoscopic electronic sounds. nathan fake s contribution black drift starts things off, an initially inauspicious tripping beat gathering momentum and morphing into a far-out piece of fuzzy house underpinned by sunken low-end rumbles. it s the kind of brilliantly wide-eyed track we have come to expect from the producer. over on the flip, wesley matsell s bismuth is a more shadowy, moody affair, a tight techno rhythm holding things together while synths spin wildly. a highly expressive, lysergic trip and one of his finest productions to date. all in all, you couldn t hope for a stronger start from a new label.

spritual south have developed a real reputation for quality through the years with many established djs and producers counting themselves as fans. now it’s time to give the basic fingers fans two tight & timeless grooves. ‘everyday’ is simply seductive feel good vibes and ‘gonna getcha’ on the b-side is keeping the boogie side of the disco fire burning. hot stuff!

ein lang verschollenes und gesuchtes album ist jetzt wieder erhältlich! und dazu auch noch auf vinyl!
divine machte sich in den späten siebziger jahren zunächst einen namen als skuriller schauerspieler in john waters filmen (u.a. hairspray, pink flamingos), bevor der travestie-künstler dann in den frühen 80er jahren von erfolgsproduzent bobby orlando (u.a. pet shop boys, the flirts) auch für plattenveröffentlichungen produziert wurde, die den typischen bobby-o disco-sound hatten. innerhalb von knappen 3 jahren landete divine dann auch einen großen hit nach dem anderen, bis er schliesslich 1988 auf tragische weise ums leben kam. doch seine songs sind bis heute unvergessen geblieben.

darkfloor sound presents their 4th release. scottish duo savagen mark their debut with their five track practically educated ep.

the name of his track is called saxojazzy, as you can imagine it has some influences of saxophone with groovy and sexy beats followed by a tight synth. overall a very impressive creation made by lui young.

fantastic voyages new series, soul city, explores the music being produced in key centres in the early 1960s, when r&b was evolving into the style that was soon widely referred to as soul. having kicked off the series in detroit, we now turn our attention to the big apple. special backstock

tip!! three killer modern forward thinking house track by sankt goran. heavy a-side track with dubby hits. and the real sweetness can be found on the b-side with two warm sexy house tracks with some hot female vocals. almost as if kdj did hang out in stockholm for a couple of days. the ep is closing with a tight effective funky and sexy track. killer release!

anoma is proud to get things started with its maiden double sided 12-, featuring a collaboration between eccentric trooper -dr. beat- san proper and anoma records founder ohm hourani. side a : -triple x- - abstract lyrics mouthed to describe a blurry path to somewhere. accompanied by several acoustic elements, organic patterns and a healthy dose of soul. in the end, it s all about life, death & sex. side b : -she s gone- - atypical drum beat held in place by atmospheric sounds that promise to hold you tight until the wee small hours of the morning. the vocals tell a story that happened when you were not looking. this record will be enveloped by a cover sleeve that features an exquisite painting entitled -earthache- by our art director laucolo.

lady blacktronika and dubbyman remix serie limitee s boss monsieur cedric. slhs003 is a 7inch hand-numbered limited to 200 copies.

more like encouraging advice than a description of our sound. a home for music of the night. music to make you wonky and stay out longer than you planned. dilo is from argentina but makes music in berlin. hes been flying under the radar but not for long. this track is slinky and tripped out and we love it. we also love mathias meyers music and alongside patlac theyve been creating some magic as of late. strings and tight beats make for a more emotional journey which we also like.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

russian producer sanys has impressed with a series of raw techno records on his downfall theory label - and his latest release further showcases his talents. dominance starts with atmospheric synth washes before a granular bass and relentless percussion propel it forward. like previous sanys releases however, this is not straightforward linear techno and a rumbling vocal and insistent drums will keep the listener engaged. my concern sees sanys opt for a different approach, with a pulsing bass and a crystalline synth line going up and down the scales, intertwined with a vocal snippet, while told you so features another stylistic shift. on this occasion, it s back to the darker sound that was audible on some of the earlier downfall theory releases. tight, snappy drums and robust, insistent claps provide the basis for a droning, murky bassline that cuts through the arrangement like a lighthouse rays in the dark of night. finally, irish producer eomac, one half of lakker, delivers a version of dominance that centres on lithe broken beats, ghostly melodies and insidious tonal shifts. as its title suggests, dominance shows sanys has become a master of the techno form.

loco dice & samo dj remixes for these nordic youngesters of karlovak records. tight functional tracks by tophat and art alfie getting the remix treatment by desolat label boss loco dice on crab at the green hunter. on the flip youll find producer virtuoso samo dj turning inside out of no holdings. efficient modern house cuts with some of that nordic flavour.

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location – the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

the windtalkers ep comes to vitalik courtesy of the acclaimed collaboration of jef k and chris carrier. individually these two stalwarts of the french house scene are known as master-craftsmen of rhythm, renowned for their tight grooves and deft beat construction. together they compliment each others sensibilities beautifully, as seen on tracks like? in my system? which they collaborated with chicago legend chez damier to form the gathering and now again on the forthcoming windtalkers ep.

bulletdodges next instalment comes from us producer sean ray, delivering a single called deep 454 with 3 superb remixes from mgun, space djz & mr o and gareth whitehead. seans original track is a deep affair, heralding sparkling pads and grooving percussion. the track is cemented by a dark yet infectious piano riff and soulful bassline to make it a dancefloor classic. first up on remix duties is ur’s very own newcomer mgun. mgun has been taking the scene by storm lately with his incredible productions and his take on sean’s deep 454 is no exception. for this remix he has provided us with a detroit infused gem of a track. he has used soulful pads that eminate detroit and an upfront kick to create nothing short of a masterpiece. for the next remix we have an exciting collaboration between techno stalwarts space djz and one half of the detroit grand pubha’s mr o. their joint venture has produced a deep techno monster. it has a solid bassline and hypnotic use of the pads that shouts out 5am madness. lastly to remix deep 454 is bulletdodge’s head honcho gareth whitehead who has created a more old school stripped back deep house vibe. his tight drum programming and clever usage of the original tracks pads and piano riff rounds this perfect package off very nicely. supported so far by audio injection, colin dale, craig richards, dj deep, gary beck, paul mac, pig & dan, samuel l. session, sasha carassi, skream, slam, tom hades and vince watson plus many more!!!

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

tipp: drive to paradise (f b rmx)... for their very first ep, cyanide introduces us the great turkish talent sinan kaya (apparel, tonkind, society 3.0). two deliciously toxic original tracks, backward and in my house , seasoned with 2 tight remixes by the chemical hands of pascal augner (aka beatamines) and francesco bonora (plastic city, abstract theory). listen and enjoy the poison...-

the second installment from the australian label nightime drama is a 3 track ep of solid dance-floor friendly grooves.fair game - put on your war pants as christian starts off with a brilliant remix, infusing afro percussion and blissful strings that capture the feeling of the morning after.hunting - a real masterpiece from cristian vance, with detroit stabbing strings and deep pads setting the tone of this track.shake that bird up – has a gritty, provocative deep house vibe with a tight disco bassline that will shake you up on the dance floor. all tracks written by christian vance except a1 – fair game which is a remix by christian vance (original track written by vibrio).

maddisco is back again with yet another 4 edits all on one 12inch, first up we have a serious piece of dance music designed for maximum effect on the dance floor, infectious bass line, heavy hammond organ, tight drums, add some brass stabs bit of guitar with just a sprinkling of vocals and weve got one hell of a party vibe goin on.

a very welcome back to canadas common edits! on the a side, label head honcho dane, teams up with the newcomer khotin for *josephinas groove*. the bassline takes the lead on this spaced out slice of funk, spread thick with tight drums and keys.
on the flip khotin completes the package and serves up *prince video*, a fast paced cosmic thumper for the floor. prepare to launch friends, this ones going to the moon!
hand stamped, 300 released for distribution and copies given away at the release party in edmonton, canada at the common.

the new metronomy album, love letters, has a title that speaks volumes about sensations and modes of communication, about things that have always been there, and will always be here. its no coincidence either. this is a record that wants to be timeless. in its execution, love letters tries to do fresh things in an old-fashioned way. it takes richer methods of recording and injects them with the shock of the new of tight electronics, and experiments in sound. it does so not to be retro, but to embrace the quality standards of the past. it also aims to be up there with the greats, reaching for those old stars.

rising concern dan shake has achieved what no other has in over a decade: with his debut release in the music world, he has become the very first producer without a detroit heritage or residency to land a release on moodymanns prestigious record label mahogani music. based in london, the former leeds student secured the feat in a charmingly anachronistic fashion: having just watched kenny dixon jr perform alongside the 3 chairs at dimensions festival, dan simply handed over a demo cd with a collection of unreleased tracks. moodymann was hooked almost instantantly, taking the first plunge on welcoming an outsider into his tight-knit crew of detroit strong artists. citing influence from the layered percussive rhythms of afrobeat pioneers such as tony allen and fela kuti, the soul-drenched sampling of j dilla and the kind of dark, dense grooves laid out by contemporary producers such as flying lotus and motor city drum ensemble, dans situation in winding up on a label renowned for encompassing all those traits is obviously a blessing for the young producer.